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This review was written on October 15th 2015
This attractive
and informative little book written by Peter Harbison and illustrated by Hilary
Gilmore was presented to me by the author at an exhibition of six of our great
High Crosses which were on display at the Collins Museum about three years ago. The book was published by the Boyne
Valley Honey Company first in 1994 and mine was a second edition published in
2001 with an introduction by Lord Killanin.
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In the introduction
we find:
"High crosses are among the most important monuments to survive from
Ireland’s golden age of Saints and Scholars, and the sculptured ones are
described in detail here. Their
figure carvings illustrate the Bible story like a filmstrip and this guide
explains what the individual panels represent. Many novel identifications offered by the author shed new
light on the deeper religious meanings of the crosses which can vary according
to the choice of Biblical subjects.
The book is designed as a field guide for those who want to study the
crosses at first hand. Black and white diagrams assist in pinpointing the various
Old and New Testament scenes sculpted on them"
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At Moone, Co. Kildare. |
These memorials are
cared for by the Board of Works, by the local authorities and by the local
people who have the stones on their property. Some are now protected indoors in
chapels or museums and are replaced by concrete replicas on the site. As
regards the survival of these treasures, it is fortunate that many of the
crosses are lying in less visited parts of the country and in old, remote
graveyards or long since deserted churches. They were erected when Ireland spawned its great reputation
of Christianity. In this guide they are arranged in alphabetical order of their
titles and sites, and the National Grid reference will help the reader to
locate them at the end of the booklet.
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Two crosses at Ahenny |
Ireland
can boast an early and rich history of fifteen centuries which must be unique
in Europe in terms of a settled language, tradition and culture. Many of these stones have survived
in the countryside without obvious damage but naturally there are many pieces
affected by the passage of time, the attention of the local and travelling
people, the inevitable ageing of the material such as sandstone used by some of
the artists and the national attention in the past century or two to attend to
their preservation. Whilst many of the relics are found in the more remote areas of our countryside, others are well known and are more easily accessed by the visitor. Recently we visited the two crosses at Ahenny in
the southeastern part of Co Tipperary. It took us quite some time to find them and
then only with the assistance of some of the local people. The two crosses remain undisturbed and
a natural feature of the old cemetery, made all the more so by the finding of
recent as well as long standing burials.
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It has amongst
other relics a round tower erected about the 11th or 12th
century and evidence of six churches providing a site of great pilgrimage for
centuries. Other
artefacts are also on display in the new interpretive centre. There are many details of the three
great crosses on the site and much information is provided which subsequently
is mentioned by the Annals of the Four Masters when they were alluding to the
affairs of the monastery during the 10th and 11th
centuries. The largest of the five
crosses is called The Cross of the Scriptures and is described in detail with
the sculpture base having the four different faces North, South, East and West.
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Adam and Eve at Kells |
Some of the
other more distant sites are of equal interest. Cashel, about 100 miles from Dublin, is worth a visit for
it’s ancient church, cross and great tower. On the way home, one can visit Castledermot for its
cross and its other ancient artefacts.
Within the four corners of Ireland there are more than enough sites
worth a visit by the stranger which will provide a fine
opportunity to see some of the more remarkable reminders of our ancient past
and of our ancient culture and between visits there is
always an opportunity in finding a pub or hostelry where one might enjoy some
of the other pleasures of a visit to Ireland.
What is striking about the Irish high crosses is that they are Coptic crosses, not Roman ones. I am fascinated by the links between Irish cultural forms like traditional stitching patterns and sean nós singing and the culture of the Maghreb of Africa.
ReplyDeleteUnder all pious legends there can lurk a darker story, and the suppression of a Coptic Christian tradition in Ireland by subsequent Roman Catholic missionaries seems likely to underlie the Saint Patrick story. It does not seem possible that Ireland had no contact at all with Christianity until 432 AD.